Null Objects

Null Objects explores technology’s ability to swallow the human form to create a cyber being and how this phenomena relates to the plastic unknowable nature of the self. Through collaged and fractured imagery, a cyber dreamscape emerges.

Film Details:

Director: Katherine Helen Fisher

Choreographer: Katherine Helen Fisher

(USA, 2021) 1:32 min

Contemporary

Contemporary

Experimental Shorts Program

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Two performers stand in front of an old brick wall. On the right, a performer in dark clothing, a pink scarf, and a cream-colored hat smashes a white plate on the ground, sending shards flying upward, while the other performer in a white shirt and black pants raises their arms and turns their face away from the flying pieces.

Breaking Plates

A close-up portrait of a performer gazing directly at the camera, wih dramatic mapeup, deep reed lipstick, and deep cheebones emphasized by contouring. One hand is raised to the side of their face, while the other reaches out overhead, displaying their shimmering outfit adorned with soft pinks and oranges, fluffy textures and fabrics, against a deep red backdrop.

The Year of the Green Snake

A close-up of a person with straight, dark hair smiling widely with their eyes closed. Soft daylight from a window illuminates their face and the background.

A Moment of Reverence

A group of dancers stand tightly aligned in line on a rooftop, their arms rasied and layered behind one another to create the illusion of a single figure with multiple arms. In front, a dancer with long brown hair wearing an olive-green military style shirt holds their hands up in a gesture of surrender, while a Ukranian flag waves in the background.

Unarmed